Ania Freer

Riva Maid (2019)

Two-channel SD Video.

Duration 6:46 mins.

Riva Maid is part of an ongoing exploration into water spirit stories in remote river communities across Jamaica. In 2016 I landed in Roaring River, a former sugar plantation built by the forced labour and exploitation of enslaved Africans. Here, to my surprise, I uncovered a rich vein of enduring resistance, encountering the stories of Riva Maid or Riva Mumma, a freshwater mermaid who protects the waterways, lives in the Blue Holes, and uses an underwater network of limestone caves to travel across the island. These days she prefers the quiet sanctuary of an ancient cotton tree that for centuries has provided shelter, protection, a site for ritual, and a home for duppies (ghosts). Inspired by how the community shared their beliefs as a means of connection and healing, I began recording these stories.

Bio

Ania Freer is an Australian-Jamaican artist, filmmaker, cultural researcher, and curator based between New York City and Jamaica. Working in installation, film and curating, Ania uses oral histories to explore identity through themes of resistance, labour, folklore, craft traditions, race and class. Her films work to disrupt imperialist narratives and recenter marginalised voices. Ania is the founder of Goat Curry Gallery, a platform which features artworks from Jamaican craft producers along with her documentary series Real Talk, an intimate collection of video portraits from across Jamaica. She holds a Bachelor of Arts in Anthropology and Film Theory from the University of Sydney.

Ania’s work has been exhibited at the National Gallery of Jamaica and her film, Strictly Two Wheel, won Best Documentary Short at Trinidad and Tobago Film Festival. She is a Caribbean Film Academy Fellow, New Local Space Kingston Curatorial and Art Writing Fellow and is the recipient of the American Australian Association Arts Fund scholarship. Ania was awarded residencies at Art Omi, Ox-Bow and Artist in Residence in Everglades (AIRIE). Her work has been featured in Jamaica Journal, Forgotten Lands and DIZZY Magazine.